Hamiduzzaman Khan
Founder · Sculptor, 1946–2025
Founding figure of modern sculpture in Bangladesh, working across bronze, stone and steel for five decades.
View profileBengal Art House holds the sculpture, drawings and public works of a growing circle of Bangladeshi artists — carrying forward the modern sculpture tradition brought into the country's parks, campuses and public memory by pioneers like Hamiduzzaman Khan.

“He brought emotion, story and silence into steel and stone.”
Born in 1946 in Sahasram, Kishoreganj, Hamiduzzaman Khan graduated from Dhaka Art College in 1967 and studied under Shilpacharya Zainul Abedin before earning a master's degree from the M.S. University of Baroda, India, in 1976. A journey through Europe and the United States in the early 1980s exposed him to abstract public sculpture — a language he brought home and made his own.
Building on the modernist path opened by Novera Ahmed, he became a founding figure of sculpture in Bangladesh, popularising sculpture parks and integrating monumental form into the country's campuses, institutes and public squares. His themes returned again and again to the Liberation War of 1971 and to birds — motifs he carved in granite, marble, bronze, mild steel and stainless steel.
Hamiduzzaman Khan's studio has grown into a small circle of sculptors and archivists, each carrying part of the practice forward.
Founder · Sculptor, 1946–2025
Founding figure of modern sculpture in Bangladesh, working across bronze, stone and steel for five decades.
View profileSculptor
Sculptor in her own right, with works shown in Bangladesh, Korea and India alongside her husband's practice.
View profileStudio & Archive
Continuing the documentation and stewardship of his father's public works, alongside his own studio practice.
View profileSolo and retrospective exhibitions tracing sculpture, watercolour, drawing and print across his career — with two shows open this season.
Studio sculptures, editions, drawings and watercolours available for purchase, separate from the permanent public installations.

Painted wood & steel, studio edition
Bronze, small edition
Watercolour on paper, framed
Black granite, single eye motif
Marble di Carrara, small scale
Graphite & ink on paper, archival
An open-air home for his abstract and semi-abstract works in iron, stone, granite and steel wire — carrying forward the themes of Liberation, folk culture and the human face that ran through his life's work.